Η καλλιτεχνική εργασία στην Ελλάδα: καθεστώς, πολιτικές, προοπτικές. Παρασκευή 26 και Σάββατο 27 Φεβρουαρίου 2021
Διαδικτυακή Διημερίδα: Παρασκευή 26 και Σάββατο 27 Φεβρουαρίου 2021 (10:00-15:00)
Διαδικτυακή Διημερίδα: Παρασκευή 26 και Σάββατο 27 Φεβρουαρίου 2021 (10:00-15:00)
Crosby, M. (2021). Reflections on the Challenge of Organising Actors. FIA Document. In 2020, FIA and other Global Union Federations published a very good document about organising workers in the Media Arts and Entertainment Sector – “Trade Union Organising in the Media Arts and Entertainment Sector.”In his essay, Michael Crosby offers reflexions based on his …
Laurent Vogel, Mehmet Koksal, Berta Chulvi, Jade Serrano, Fanny Kroener, Angelo Ferracuti, Christelle Casse, Bethany Staunton, Fabienne Scandella, Steven Ronsmans, Tony Musu. (2021). The real work of art. In ETUI, The European Trade Union Institute. This issue explores several aspects of art as work. As a collective work of many, often invisible labourers. As a …
Dâmaso, M. (2021). Research for CULT Committee – The situation of artists and cultural workers and the post-COVID cultural recovery in the European Union: Background Analysis. This background analysis on the situation of artists and cultural workers and the post-COVID-19 cultural recovery in the European Union is prepared for the European Parliament. It provides an overview of …
Ηλιοπούλου Ε. & ΙΜΕ ΓΣΕΒΕΕ (2021). Οδικός χάρτης προσαρμογής του επαγγέλματος «Επαγγελματίας οπτικοακουστικού τομέα (Ειδικός διαχείρισης ήχου και εικόνας)». Μελέτη του Εργαστηρίου πρόγνωσης και παρακολούθησης αλλαγών επαγγελμάτων, Αθήνα: ΙΜΕ ΓΣΕΒΕΕ. Ο παρών Οδικός Χάρτης αφορά στο επάγγελμα του «Επαγγελματία οπτικοακουστικού τομέα (Ειδικός διαχείρισης ήχου και εικόνας)» και συνοψίζει τα σημαντικότερα ευρήματα, όπως προέκυψαν από τη …
Eurofound (2021). Representativeness of the European social partner organisations: Live performance sector, Sectoral social dialogue series. Dublin. This study provides information allowing for an assessment of the representativeness of the actors involved in the European sectoral social dialogue committee for the live performance sector. Their relative representativeness legitimises their right to be consulted, their role …
Eurofound (2021). Representativeness of the European social partner organisations: Audiovisual sector, Sectoral social dialogue series. Dublin. This study provides information allowing for an assessment of the representativeness of the actors involved in the European sectoral social dialogue committee for the audiovisual sector. Their relative representativeness legitimises their right to be consulted, their role and effective …
OECD (2020). Policy Responses to Coronavirus (COVID-19) Culture shock: COVID-19 and the cultural and creative sectors. Cultural and creative sectors are important in their own right in terms of their economic footprint and employment. They also spur innovation across the economy, as well as contribute to numerous other channels for positive social impact (well-being and …
Pulignano. V. (2020). Work in deregulated labour markets: a research agenda for precariousness. In ETUI, The European Trade Union Institute. This Working Paper tackles two questions: what counts as work within a deregulated labour market; and what are the implications for the study of precariousness? The paper addresses the traditional dichotomy between paid and unpaid …
Casse C. (2020). The art of managing the intermittent artist status in France. In ETUI, The European Trade Union Institute. In France, artists working in the live performance, film and audiovisual sectors have a special kind of unemployment insurance scheme: the régime des salaries intermittents du spectacle (scheme for intermittent workers in the performing arts). …