creativelabour

Gaitenidis, N (2025). Skills diagnosis study: A theoretical and empirical approach. “Occupation 3521, Radio, television, and audiovisual media technicians”. Athens: INE GSEE.

Gaitenidis, N (2025). Skills diagnosis study: A theoretical and empirical approach. “Occupation 3521, Radio, television, and audiovisual media technicians”. Athens: INE GSEE. This study investigates the basic skills, educational requirements, and employment trends of the profession of radio, television, and audiovisual media broadcast technicians. Methodologically, it is based on qualitative and quantitative analyses, examining both …

Gaitenidis, N (2025). Skills diagnosis study: A theoretical and empirical approach. “Occupation 3521, Radio, television, and audiovisual media technicians”. Athens: INE GSEE. Read More »

CREATe (2024). UK Audiovisual Performers: A survey of earnings and contracts. CREATe & BECS.

CREATe (2024). UK Audiovisual Performers: A survey of earnings and contracts. CREATe & BECS. This comprehensive study examines the economic circumstances and contractual experiences of UK-based audiovisual performers through a survey of 2,469 BECS members conducted in 2024. The study highlights a highly unequal income distribution typical of cultural markets, with performers supplementing their earnings …

CREATe (2024). UK Audiovisual Performers: A survey of earnings and contracts. CREATe & BECS. Read More »

Ehlinger, A., Thomas, A., Kretschmer, M., & Battisti, M. (2024). Behind the Scenes: The Realities Facing UK Audiovisual Performers. CREATe & BECS.

Ehlinger, A., Thomas, A., Kretschmer, M., & Battisti, M. (2024). Behind the Scenes: The Realities Facing UK Audiovisual Performers. CREATe & BECS. This report, produced by CREATe and commissioned by the British Equity Collecting Society (BECS), provides a detailed examination of the working conditions, contractual practices, and economic realities of UK-based audiovisual performers, drawing on …

Ehlinger, A., Thomas, A., Kretschmer, M., & Battisti, M. (2024). Behind the Scenes: The Realities Facing UK Audiovisual Performers. CREATe & BECS. Read More »

World Intellectual Property Organization (WIPO) (2024). How to Make a Living from Music, third edition. Geneva: WIPO.

World Intellectual Property Organization (WIPO) (2024). How to Make a Living from Music, third edition. Geneva: WIPO. This publication is the third edition of a practical guide aimed at musicians, songwriters, and music industry professionals on how to generate sustainable income from musical creativity in a rapidly changing digital environment. Written by David Stopps, an …

World Intellectual Property Organization (WIPO) (2024). How to Make a Living from Music, third edition. Geneva: WIPO. Read More »

Ehlinger, A., Thomas, A., Kretschmer, M., Battisti, M., Saenz de Juano Ribes, H. (2025). The Director’s Cut: Unpacking Earnings, Contracts and Working Practices. Highlights from the UK Screen Directors’ Earnings and Contracts Report. Directors UK & CREATe, University of Glasgow.

Ehlinger, A., Thomas, A., Kretschmer, M., Battisti, M., Saenz de Juano Ribes, H. (2025). The Director’s Cut: Unpacking Earnings, Contracts and Working Practices. Highlights from the UK Screen Directors’ Earnings and Contracts Report. Directors UK & CREATe, University of Glasgow. This document presents key findings from an independent study commissioned by Directors UK and conducted …

Ehlinger, A., Thomas, A., Kretschmer, M., Battisti, M., Saenz de Juano Ribes, H. (2025). The Director’s Cut: Unpacking Earnings, Contracts and Working Practices. Highlights from the UK Screen Directors’ Earnings and Contracts Report. Directors UK & CREATe, University of Glasgow. Read More »

Karoulas, G. (2024). Skills diagnosis study: A theoretical and empirical approach. “Actors”. Athens: INE GSEE.

Karoulas, G. (2024). Skills diagnosis study: A theoretical and empirical approach. “Actors”. Athens: INE GSEE. This study explores the skills required for the acting profession, combining theoretical and empirical approaches. Through qualitative and quantitative analysis, three main axes are examined: the structural factors of the labor market, the processes of acquiring skills, and the analysis …

Karoulas, G. (2024). Skills diagnosis study: A theoretical and empirical approach. “Actors”. Athens: INE GSEE. Read More »

Clarke, M., Kula, W., Fengler, M., Pencheva, G., Vermeij, R., Ebert, L., & Moroz, L. (2024). Creative Pulse: A Survey on the Status and Working Conditions of Artists and CCS Professionals in Europe. Survey Report. Panteia & Culture Action Europe.

Clarke, M., Kula, W., Fengler, M., Pencheva, G., Vermeij, R., Ebert, L., & Moroz, L. (2024). Creative Pulse: A Survey on the Status and Working Conditions of Artists and CCS Professionals in Europe. Survey Report. Panteia & Culture Action Europe. This document presents the findings of a European survey carried out between December 2023 and …

Clarke, M., Kula, W., Fengler, M., Pencheva, G., Vermeij, R., Ebert, L., & Moroz, L. (2024). Creative Pulse: A Survey on the Status and Working Conditions of Artists and CCS Professionals in Europe. Survey Report. Panteia & Culture Action Europe. Read More »

International network for contemporary performing arts (2024). Fair Pay for Artists and Independent Cultural Workers. A Guide for Cultural Organisations, Funders and Policymakers. IETM.

International network for contemporary performing arts (2024). Fair Pay for Artists and Independent Cultural Workers. A Guide for Cultural Organisations, Funders and Policymakers. IETM. This guide advocates for fair pay for artists and independent cultural workers, highlighting the widespread underpayment and economic insecurity within the arts sector. It acknowledges the structural problems and historical undervaluation …

International network for contemporary performing arts (2024). Fair Pay for Artists and Independent Cultural Workers. A Guide for Cultural Organisations, Funders and Policymakers. IETM. Read More »

Hancock, P. & Tyler, M. (2025). Performing Artists and Precarity: Work in the Contemporary Entertainment Industries.

Hancock, P. & Tyler, M. (2025). Performing Artists and Precarity: Work in the Contemporary Entertainment Industries. This open access book focuses on the distinctive experiences of freelance and self-employed live performers in the UK’s live entertainment industries It provides an in-depth account of their working lives during COVID-19, showing how their experiences of the pandemic provide …

Hancock, P. & Tyler, M. (2025). Performing Artists and Precarity: Work in the Contemporary Entertainment Industries. Read More »

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