creativelabour

Ehlinger, A., Thomas, A., Kretschmer, M., & Battisti, M. (2024). Behind the Scenes: The Realities Facing UK Audiovisual Performers. CREATe & BECS.

Διεθνείς, Έρευνες, Κλαδικές, Κλαδικές-Διεθνείς /

Ehlinger, A., Thomas, A., Kretschmer, M., & Battisti, M. (2024). Behind the Scenes: The Realities Facing UK Audiovisual Performers. CREATe & BECS. This report, produced by CREATe and commissioned by the British Equity Collecting Society (BECS), provides a detailed examination of the working conditions, contractual practices, and economic realities of UK-based audiovisual performers, drawing on […]

Ehlinger, A., Thomas, A., Kretschmer, M., & Battisti, M. (2024). Behind the Scenes: The Realities Facing UK Audiovisual Performers. CREATe & BECS. Read More »

World Intellectual Property Organization (WIPO) (2024). How to Make a Living from Music, third edition. Geneva: WIPO.

Διεθνείς, Έρευνες, Κλαδικές, Κλαδικές-Διεθνείς /

World Intellectual Property Organization (WIPO) (2024). How to Make a Living from Music, third edition. Geneva: WIPO. This publication is the third edition of a practical guide aimed at musicians, songwriters, and music industry professionals on how to generate sustainable income from musical creativity in a rapidly changing digital environment. Written by David Stopps, an

World Intellectual Property Organization (WIPO) (2024). How to Make a Living from Music, third edition. Geneva: WIPO. Read More »

Ehlinger, A., Thomas, A., Kretschmer, M., Battisti, M., Saenz de Juano Ribes, H. (2025). The Director’s Cut: Unpacking Earnings, Contracts and Working Practices. Highlights from the UK Screen Directors’ Earnings and Contracts Report. Directors UK & CREATe, University of Glasgow.

Διεθνείς, Έρευνες, Κλαδικές, Κλαδικές-Διεθνείς /

Ehlinger, A., Thomas, A., Kretschmer, M., Battisti, M., Saenz de Juano Ribes, H. (2025). The Director’s Cut: Unpacking Earnings, Contracts and Working Practices. Highlights from the UK Screen Directors’ Earnings and Contracts Report. Directors UK & CREATe, University of Glasgow. This document presents key findings from an independent study commissioned by Directors UK and conducted

Ehlinger, A., Thomas, A., Kretschmer, M., Battisti, M., Saenz de Juano Ribes, H. (2025). The Director’s Cut: Unpacking Earnings, Contracts and Working Practices. Highlights from the UK Screen Directors’ Earnings and Contracts Report. Directors UK & CREATe, University of Glasgow. Read More »

Κάρουλας, Γ. (2024). Μελέτη διάγνωσης δεξιοτήτων: Μια θεωρητική και εμπειρική προσέγγιση «Ηθοποιοί». Αθήνα: ΙΝΕ ΓΣΕΕ.

Kλαδικές-Ελληνικές, Ελληνικές, Έρευνες, Κλαδικές /

Κάρουλας, Γ. (2024). Μελέτη διάγνωσης δεξιοτήτων: Μια θεωρητική και εμπειρική προσέγγιση «Ηθοποιοί». Αθήνα: ΙΝΕ ΓΣΕΕ. Η παρούσα μελέτη διερευνά τις δεξιότητες που απαιτούνται για το επάγγελμα του ηθοποιού, συνδυάζοντας θεωρητικές και εμπειρικές προσεγγίσεις.  Μέσω ποιοτικής και ποσοτικής ανάλυσης, εξετάζονται τρεις κύριοι άξονες: οι δομικοί παράγοντες της αγοράς εργασίας, οι διαδικασίες απόκτησης δεξιοτήτων και η ανάλυση

Κάρουλας, Γ. (2024). Μελέτη διάγνωσης δεξιοτήτων: Μια θεωρητική και εμπειρική προσέγγιση «Ηθοποιοί». Αθήνα: ΙΝΕ ΓΣΕΕ. Read More »

Clarke, M., Kula, W., Fengler, M., Pencheva, G., Vermeij, R., Ebert, L., & Moroz, L. (2024). Creative Pulse: A Survey on the Status and Working Conditions of Artists and CCS Professionals in Europe. Survey Report. Panteia & Culture Action Europe.

Γενικές, Γενικές-Διεθνείς, Διεθνείς, Έρευνες /

Clarke, M., Kula, W., Fengler, M., Pencheva, G., Vermeij, R., Ebert, L., & Moroz, L. (2024). Creative Pulse: A Survey on the Status and Working Conditions of Artists and CCS Professionals in Europe. Survey Report. Panteia & Culture Action Europe. This document presents the findings of a European survey carried out between December 2023 and

Clarke, M., Kula, W., Fengler, M., Pencheva, G., Vermeij, R., Ebert, L., & Moroz, L. (2024). Creative Pulse: A Survey on the Status and Working Conditions of Artists and CCS Professionals in Europe. Survey Report. Panteia & Culture Action Europe. Read More »

International network for contemporary performing arts (2024). Fair Pay for Artists and Independent Cultural Workers. A Guide for Cultural Organisations, Funders and Policymakers. IETM.

Γενικές, Γενικές-Διεθνείς, Διεθνείς, Έρευνες /

International network for contemporary performing arts (2024). Fair Pay for Artists and Independent Cultural Workers. A Guide for Cultural Organisations, Funders and Policymakers. IETM. This guide advocates for fair pay for artists and independent cultural workers, highlighting the widespread underpayment and economic insecurity within the arts sector. It acknowledges the structural problems and historical undervaluation

International network for contemporary performing arts (2024). Fair Pay for Artists and Independent Cultural Workers. A Guide for Cultural Organisations, Funders and Policymakers. IETM. Read More »

Η εργασία πίσω από τα φώτα της σκηνής: «Είμαστε εμείς που συνήθως φοράμε μαύρα για να μη φαινόμαστε»

Αναλύσεις /Απόψεις /

Έξι τεχνικοί ζωντανών οπτικοακουστικών εκδηλώσεων, μέλη του ΣΤΑΖΟΕ, απαντούν σε εννέα ερωτήσεις. Ακούστε τους: Πάνο Ριζόπουλο, Μαρία Κοζάρη, Γιάννη Παξεβάνη, Βασίλη Βακετάτζη, Σωτήρη Γούναρη και Γιώργο Φιλικόζη.  

Η εργασία πίσω από τα φώτα της σκηνής: «Είμαστε εμείς που συνήθως φοράμε μαύρα για να μη φαινόμαστε» Read More »

Pulignano, V., & Domecka, M. (2025). The Politics of Unpaid Labour: How the study of unpaid labour can help address inequality in precarious work (p. 320). Oxford University Press.

Βιβλία Ανοικτής Πρόσβασης /

Pulignano, V., & Domecka, M. (2025). The Politics of Unpaid Labour: How the study of unpaid labour can help address inequality in precarious work (p. 320). Oxford University Press. This book introduces a theory of the politics of unpaid labour, advancing our understanding of inequality within the context of precarious work. Arguing that this theory can help

Pulignano, V., & Domecka, M. (2025). The Politics of Unpaid Labour: How the study of unpaid labour can help address inequality in precarious work (p. 320). Oxford University Press. Read More »

Hancock, P. & Tyler, M. (2025). Performing Artists and Precarity: Work in the Contemporary Entertainment Industries.

Βιβλία Ανοικτής Πρόσβασης /

Hancock, P. & Tyler, M. (2025). Performing Artists and Precarity: Work in the Contemporary Entertainment Industries. This open access book focuses on the distinctive experiences of freelance and self-employed live performers in the UK’s live entertainment industries It provides an in-depth account of their working lives during COVID-19, showing how their experiences of the pandemic provide

Hancock, P. & Tyler, M. (2025). Performing Artists and Precarity: Work in the Contemporary Entertainment Industries. Read More »

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