Johansson, Daniel. (2022). Streams & Dreams – A Fair Music Economy For All. International Artist Organisation This report was commissioned by IAO and written by music industry researcher and analyst Daniel Johansson. The views expressed in the discussions are solely representative for the author. IAO is a nonprofit organisation based in Paris that was officially […]
Heinonen, J., et al. (2022). Between labour markets and entrepreneurship: entrepreneurial behaviour in the creative economies. DISCE Publications. The overall aim of this report is to gain in-depth understanding of creative professionals between labour markets and entrepreneurship in the creative economies in Europe. The research question addressed is: “What are the forms of activity (i.e.
Galian, C., Licata, M., & Stern-Plaza, M. (2021). Social protection in the cultural and creative sector: Country practices and innovations (No. 28). ILO Working Paper. This working paper is based on the ILO Centenary Declaration for the Future of Work, 2019, which calls on the ILO to direct its efforts to “developing and enhancing social protection systems,
ILO (2021). Social Protection Spotlight. Extending social protection to the cultural and creative sector. The type of contractual arrangements and the organization of work prevalent in the cultural and creative sector may impact the coverage of their workers and the adequacy of the benefits they receive. Extending social security to CCS workers Issue Brief_12052021 FINAL2_revised.sb.pics
Karakioulafis, C. (2021). Grèce. Pandémie de Covid-19 et mobilisation syndicale des professionnels du spectacle: l’initiative Support Art Workers. Chronique Internationale de l’IRES, 175(3), 16-27. Bien que la nature précaire du travail culturel soit largement reconnue dans la littérature académique, elle est souvent restée invisible aux yeux des décideurs politiques et peu de mesures ont été
SMVE/ NGMU (2021). Greek Nationwide Survey of Northern Greece Musicians’ Union in the Period of the Covid-19 Pandemic. The opening of concerts with 50% capacity utilisation is not the start of work for all musicians. The majority of the sector works in catering, hotels, music venues at trade fairs, etc., which will remain closed under
Crosby, M. (2021). Reflections on the Challenge of Organising Actors. FIA Document. In 2020, FIA and other Global Union Federations published a very good document about organising workers in the Media Arts and Entertainment Sector – “Trade Union Organising in the Media Arts and Entertainment Sector.”In his essay, Michael Crosby offers reflexions based on his
Crosby, M. (2021). Reflections on the Challenge of Organising Actors. FIA Document. Read More »
Laurent Vogel, Mehmet Koksal, Berta Chulvi, Jade Serrano, Fanny Kroener, Angelo Ferracuti, Christelle Casse, Bethany Staunton, Fabienne Scandella, Steven Ronsmans, Tony Musu. (2021). The real work of art. In ETUI, The European Trade Union Institute. This issue explores several aspects of art as work. As a collective work of many, often invisible labourers. As a
Iliopoulou E. & IME GSEVEE (2021). Roadmap for the adaptation of the profession “Professional in the audiovisual sector (audio and video management specialist).” Study by the Laboratory for Forecasting and Monitoring Occupational Changes. Athens: IME GSEBEE. This roadmap concerns the profession of ‘Audiovisual and Visual Management Specialist’ and summarises the main findings of the process
UNESCO (2019). Culture & Working Conditions for Artists: Implementing the 1980 Recommendation Concerning the Status of the Artist. Unesco. This report consolidates the findings of the 2018 global survey conducted by UNESCO on the implementation of the 1980 Recommendation concerning the Status of the Artist, gathering data from 52 Member States, 39 NGOs, and 2