OECD (2020). Policy Responses to Coronavirus (COVID-19) Culture shock: COVID-19 and the cultural and creative sectors. Cultural and creative sectors are important in their own right in terms of their economic footprint and employment. They also spur innovation across the economy, as well as contribute to numerous other channels for positive social impact (well-being and …
Pulignano. V. (2020). Work in deregulated labour markets: a research agenda for precariousness. In ETUI, The European Trade Union Institute. This Working Paper tackles two questions: what counts as work within a deregulated labour market; and what are the implications for the study of precariousness? The paper addresses the traditional dichotomy between paid and unpaid …
Casse C. (2020). The art of managing the intermittent artist status in France. In ETUI, The European Trade Union Institute. In France, artists working in the live performance, film and audiovisual sectors have a special kind of unemployment insurance scheme: the régime des salaries intermittents du spectacle (scheme for intermittent workers in the performing arts). …
Staunton, B. (2020). Herding cats or fighting like lions? Artists and trade union organising. In ETUI, The European Trade Union Institute. Trade unions have existed in the UK’s arts sector for a long time, and new ones continue to spring up. But what kind of challenges do they face in this rather particular industry? Are …
Baltzis, A., & Tsigilis, N. (2020). Working & living conditions of visual artists in Greece [Research Report]. The Metropolitan Organisation of Museums of Visual Arts of Thessaloniki (MOMus) & Aristotle University of Thessaloniki. [in Greek]. The report presents the results of the first quantitative survey of visual artists in Greece. Visual artists, like all artists, …
APTALIKO (2020) Mapping the community of musicians active in the field of folk culture. APTALIKO’s research is the first attempt to map the community of artists active in Greece who are associated with the Greek musical idioms, as well as those of the Balkans and the Eastern Mediterranean. The data collected refers to the reality …
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Panteia (2020). The Status and Working Conditions of Artists and Cultural and Creative Professionals. Brussels: European Expert Network on Culture and Audiovisual (EENCA). One of the five priority themes of the Council Work Plan for Culture 2019-2022 is ‘An ecosystem supporting artists, cultural and creative professionals and European content’. The objective of this study is …
Comunian, R., Dent, T., Conor, B. and Burlina, C. (2020). Creative Higher Education in Europe Statistics Report. DISCE Publications. The report reflects on the important connections between HE and creative economies across Europe. The importance of this relation has been acknowledged both in academic research and at the European policy level. We acknowledge that creative …
Dent, T., et al., (2020). Creative and Cultural Workforce in Europe Statistics Report. DISCE Publications. This report focuses on current knowledge and data in relation to the European Creative and Cultural workforce (CCW). As discussed in previous outputs from the DISCE project (Crociata, 2019; Wilson et al., 2020), there has been extensive debate in relation …
Countouris, Nicola et Valerio De Stefano (2019) New Trade Union Strategies for New Forms of Employment, Bruxelles, ETUC. Starting with the question “who is a worker?”, the report identifies similarities and differences between the countries covered by the survey. In a following part, after a comparative perspective on the various legal status of self-employed workers, …