Gruber, M. (2018). Challenges and opportunities for decent work in the culture and media sectors. ILO Working Papers. There are nearly 30 million culture and media workers globally, and their work makes a significant contribution to their respective countries’ social and economic development. The creative and collaborative nature of their work – compounded by continuous […]
AEPO-ARTIS (2018). Performers’ Rights in International and European Legislation: Situation and Elements for Improvement. AEPO-ARTIS This comprehensive study, commissioned by AEPO-ARTIS and authored by Benoît Michaux, provides a critical analysis of performers’ rights within international and European legal frameworks. Focusing on both legal principles and practical challenges, the report examines existing protections under instruments such
Bellini, A., Burroni, L., Dorigatti, L., Gherardini, A., & Manzo, C. (2018). Industrial relations and creative workers. Overall report. IR-CREA – Strategic but vulnerable. Industrial relations and creative workers Project funded by the DG Employment, Social Affairs & Inclusion of the EC. Cultural and creative industries are a strategic factor in developing the European economy. Furthermore,
Federation of European Film Directors (FERA) & Federation of Screenwriters in Europe (FSE) (2016). Better Contracts – Unfair to Better Contracts: Creators’ Remuneration in the European Audiovisual Industry. FERA & FSE. This joint publication by FERA and FSE outlines the urgent need to reform the contractual conditions of screenwriters and directors across Europe in order
Charhon, P., & Murphy, D. (2016). The Future of Work in the Media, Arts & Entertainment Sector: Meeting the Challenge of Atypical Working. European Group of the International Federation of Actors, Euro FIA, European Federation of Journalists, EFJ, International Federation of Musicians, FIM, UNI Europa – Uni Global Union (Media, Entertainment & Arts). This project handbook
Hersted, L., Chemi, T., & Jensen, J. B. (2014). Behind the Scenes of Artistic Creativity: Processes of Learning Creating and Organising. Peter Lang International Academic Publishers. Throughout the literature of creative learning, many assumptions and even stereotypes about the artists’ creativity are nurtured, often according to myths going back to the Romanticism. The authors have been
International Federation of Actors (2013). The Moral Rights of Performers: Current Situation and Survey Results on the Moral Rights of Dubbing Artists. FIA This study by the International Federation of Actors examines the legal framework and practical application of moral rights for performers, with special attention to dubbing artists. Triggered by the adoption of the
Rubiano, C. (2013). Collective Bargaining and Competition Law: A Comparative Study on the Media, Arts and Entertainment Sectors. International Federation of Musicians. The conflict between collective bargaining and competition law is not necessarily new. However, while not entirely immune to the rules of competition law, it is widely acknowledged that collective agreements concluded in good faith,
Karakioulafi, C. (2012). «It is art as well as a profession»: Conceptions of artistic work – the case of actors in Greece. Review of Social Research, 137(137-138), 113-140. [in Greek] Artistic work and the rules governing artistic labor markets are considered as a puzzle for those concerned with the sociology of professions or sociological approaches
Baltzis, A., & Tsigilis, N. (2020). Working & living conditions of visual artists in Greece [Research Report]. The Metropolitan Organisation of Museums of Visual Arts of Thessaloniki (MOMus), Aristotle University of Thessaloniki. [in Greek]. The report presents the results of the first quantitative survey of visual artists in Greece. Visual artists, like all artists, are