Johansson, Daniel. (2022). Streams & Dreams – A Fair Music Economy For All. International Artist Organisation This report was commissioned by IAO and written by music industry researcher and analyst Daniel Johansson. The views expressed in the discussions are solely representative for the author. IAO is a nonprofit organisation based in Paris that was officially …
Heinonen, J., et al. (2022). Between labour markets and entrepreneurship: entrepreneurial behaviour in the creative economies. DISCE Publications. The overall aim of this report is to gain in-depth understanding of creative professionals between labour markets and entrepreneurship in the creative economies in Europe. The research question addressed is: “What are the forms of activity (i.e. …
Lhermitte, M., Alvarez, J., Marcout, C., Nam, Q., & Sauze, E. (2021). Rebuilding Europe. The cultural and creative economy before and after the COVID-19 crisis. Ernst Young/GESAC. The European Grouping of Societies of Authors and Composers (GESAC) commissioned EY teams to produce a report on the state of the cultural and creative industries (CCIs) in Europe. …
Galian, C., Licata, M., & Stern-Plaza, M. (2021). Social protection in the cultural and creative sector: Country practices and innovations (No. 28). ILO Working Paper. This working paper is based on the ILO Centenary Declaration for the Future of Work, 2019, which calls on the ILO to direct its efforts to “developing and enhancing social protection systems, …
ILO (2021). Social Protection Spotlight. Extending social protection to the cultural and creative sector. The type of contractual arrangements and the organization of work prevalent in the cultural and creative sector may impact the coverage of their workers and the adequacy of the benefits they receive. Extending social security to CCS workers Issue Brief_12052021 FINAL2_revised.sb.pics …
Naylor, R., Moretto, M., & Traverso, R. (2021). Cultural and creative industries in the face of COVID-19: an economic impact outlook. UNESCO. No corner of our planet has been left untouched by the COVID-19 crisis. The virus itself has cost many lives, and the lockdowns experienced by many countries have destroyed jobs and businesses. At …
Valeria Pulignano, Markieta Domecka, Karol Muszyński, Lander Vermeerbergen, Me-Linh Riemann. (2021). Creative labour in the era of Covid-19. In ETUI, The European Trade Union Institute. This working paper identifies some key areas of policy intervention for advancing socially sustainable and fair solutions for freelancers working in the creative industries, who are among those have suffered …
Karakioulafis, C. (2021). Grèce. Pandémie de Covid-19 et mobilisation syndicale des professionnels du spectacle: l’initiative Support Art Workers. Chronique Internationale de l’IRES, 175(3), 16-27. Bien que la nature précaire du travail culturel soit largement reconnue dans la littérature académique, elle est souvent restée invisible aux yeux des décideurs politiques et peu de mesures ont été …
Professional musicians in Athens are a community notoriously lacking in solidarity and collective campaigning. Even during the so-called ‘Greek Crisis’, that exacerbated circumstances of precarity among performing artists, musicians seemed reluctant to resort to collective struggle and unionisation. However, the wake of the pandemic that resulted in the closure of music venues and cancellation of all face-to-face musical activity overnight had an unprecedented effect on the collectivisation of Greek musicians. The Panhellenic Music Union is rising in visibility and agency and a new grassroots movement called ‘Support Art Workers’ has emerged as a point of solidarity for thousands of creative artists including musicians, actors, dancers, visual artists and technicians. In this audio statement, Ioannis Tsioulakis (author of Musicians in Crisis, Routledge 2020) reflects on these new developments and provides some thoughts on why Covid-19 might be a time that cultivates collective campaigns for musicians and other precarious creative workers.
Ποια είναι η εκπαίδευση του ηθοποιού στην Ελλάδα του 21ου αιώνα;
Σε αυτό το φλέγον ζήτημα, που απασχολεί έντονα τη θεατρική κοινότητα, επικεντρώνεται η διημερίδα «Δραματικές Σχολές: δυσλειτουργίες και προοπτικές».
Στόχος της διήμερης συνάντησης που διοργανώνει η Δραματική Σχολή του Εθνικού Θεάτρου στις 5 και 6 Νοεμβρίου 2022 στο Σχολείον της Αθήνας-Ειρήνη Παπά, είναι να ανοίξει ένας δημόσιος διάλογος για το θεσμικό πλαίσιο λειτουργίας των Δραματικών Σχολών και το ισχύον πρόγραμμα σπουδών: να διατυπωθούν όλες οι απόψεις· να εντοπιστούν τα προβλήματα· να ακουστούν προτάσεις για την επίλυσή τους και να αποκρυσταλλωθούν οι προοπτικές αναβάθμισης.